Thursday, May 01, 2014

Sean Kelly

Hot Docs 2014: Kung Fu Elliot


Elliot “White Lightning” Scott is a man from Halifax, whose goal is to become Canada’s first action hero.  Claiming to have 7 lightweight kickboxing titles, Scott has written, directed, and starred in a series of hilariously awful no-budget kung fu b-movies, with titles such as They Killed My Cat (2009) and Stalker and the Hero (2010).  With Scott a year in production on his latest film Blood Fist, his girlfriend Linda slowly becomes tired of his filmmaking antics and wishes for Elliot to get a normal job and finally get around to proposing. It quickly turns out that Elliot Scott’s real life is much more interesting than his movies.

Kung Fu Elliot really needs to be seen to be believed.  In all honesty, I watched the film based on its title alone and I had no idea what I was getting into.  At first, Kung Fu Elliot seems like a farce.  It is obvious from the start that Elliot Scott is somewhat delusional and is not really “Canada’s Jackie Chan” and the audience will spend much of the film laughing at him.  Then some revelations are made and the laughter turns to utter shock.

I don’t really want to say too much more about Kung Fu Elliot, though this is definitely a film that should be watched more than once, just to see if the filmmakers put hints to the revelations made towards the end.  Kung Fu Elliot is one of those documentaries that will having you questioning “Is this for real?” as you watch it.  However, as the film reveals, there are many definitions to the term “real.”  All together, while Kung Fu Elliot starts of as a hilarious farce, it turns into a shocking character study of a man caught up in his own delusions.



  • Thurs, May 1, 3:30 PM – Scotiabank Theatre 4
  • Fri, May 2, 9:30 PM – Scotiabank Theatre 7

Sean Kelly

About Sean Kelly -

Sean Patrick Kelly is a self-described ├╝ber-geek, who has been an avid film lover for all his life. He graduated from York University in 2010 with an honours B.A. in Cinema and Media Studies and he likes to believe he knows what he’s talking about when he writes about film (despite occasionally going on pointless rants).